I know there are many people who feel uplifted by his tunes. However, the Halachic perspective on this controversial figure, needs to be known. I am aware that Vicki Polin had been accused of many things including hyperbole, but it cannot be argued by anyone who has a fidelity to historical fact, that as years progressed he became more “progressive” and there were serious accusations.
Reb Moshe Feinstein wrote an opinion in among a section of his writings one would not normally read Igros Moshe, Even HaEzer Vol. 1, No 96. In that, my reading is that until he became more progressive, his songs were fine. After that, they were to be avoided.
One Shabbos Shachris, without much forethought, I chose a Carlebach tune for Kel Adon. (Let me say that it is Halachically very problematic to sing Kel Adon in any tune, unless one does this in a form of Aniya (answering). The Chazan says a stanza and the Kahal repeat it. The same is true of Lecha Dodi. There is a special Kedusha and Mesora to this form of Answering which is an endangered species and I urge Ba’alei Tefilla and Chazonim to re-introduce it, even with song. This was the very strong opinion of the Rav).
I finished davening, and Rabbi Groner ז’ל as was his custom, thanked me for the שחרית and then asked me to sit down. He relayed a story between he, the LR and R’ Shlomo Carlebach. Rabbi Groner had been a friend of Carlebach, and had learned with him. After Shlomo went down certain paths, Rabbi Groner wondered what approach he should take vis a vis his relationship with Shlomo and inter alia his music/influence.
Rabbi Groner told me that the LR was very firm. Although the LR always stressed Kiruv (bringing people closer to God), he did do so again in respect of Shlomo. The LR instructed Rabbi Groner that all efforts should be made to be warm to Shlomo, however, and this was a big however, this was never to be done within the Mosdos (institutions) of Chabad. One should find other ways.
Rabbi Groner then regaled me with stories of Shlomo and his brother’s brilliance in learning, but he asked me not to do this again. Suffice it to say, that within a Lubavitch Mosad, I never sang a Carlebach song during Tefilla. I admit, I was also influenced by R’ Moshe Feinstein’s Tshuvah, which although is kind, and doesn’t mention Shlomo by name, is known by his Talmidim, to have Shlomo in mind.
I’m not here to judge Shlomo. However, I do think that anyone with a fidelity to Chabad absolutely must follow the LR’s instructions. Some will not know, others I know ignore these instructions. I mentioned my conversation with Rabbi Chaim Tzvi Groner, and he affirmed that he had heard it from his father himself as well. R’ Chaim Tzvi will quietly discourage Shlomo’s tunes in his Chabad House.
Make up your own mind about those who choose to not follow the LR’s very clear dictum. Do they know better?