[Hat tip Fendi]
There is a new definition of moral hypocrisy. This is (especially an egalitarian neo orthodox minyan) a Shule, Minyan, Temple or women’s service that still utilises Shlomo Carlebach’s tunes.
His daughter clearly knows of her fathers misdeeds and suffered herself as a victim.
See Here for the story.
His tunes are stained and belong in oblivion. They cannot conjure spirituality. The analog of a person dipping in a Mikva while holding something impure, readily comes to mind.
There is no defence.
While everyone talks about the positives after the allegations against Harvey Weinstein and the #metoo hash tag, we need to wake up to a reality that cannot be ignored.
Shlomo Carlebach is the love child of postmodernist left and right wing Jews. A brilliant man with oodles of charisma, his only defence against potent and cogent #metoo is that the dead can’t defend themselves.
The cloud over his activities though has been ignored by the sanctimonious left #metoo for whom his songs appear to be the ‘holy of Holies’
It is hard for me to understand how the egalitarian ones at Shira Chadasha and the Open Orthodox types still continue to regale in his production. How dare they preach while they choose to ignore #metoo #rebshlomo
The Lubavitcher Rebbe z’l clearly said that Carlebach material should not be used in any Chabad Shule and, when Shlomo was still alive, he said efforts to bring him to Repentance should take place, but not within Chabad.
Another link in this old chain was published in the forward.
It’s time to call out the tree huggers and right wingers who cleave to his music as if it is the pinnacle of ‘spirituality’.
Is Carlebach beyond #metoo?
If so, why so?